Everyone calls my mother by how I call her: mommy.
Sweet, dearly Mommy!
But mostly, I call her by how she is always right,
as she still makes fun of my fire:
"Son, pour your blood onto something else";
Sweet Mother, goodness gracious, Mommy!
My mommy loves a husband clothed in reeking patriarchy;
regardless, he is a Plath's "Daddy," and my Mommy's love for him is a Shakespeare's until-death-do-us-part.
Then he comes home, and she dies every time he speaks.
Poor, Mommy! Is love that delight?
I have known love as how it looks like a two-sided coin:
with rusting ridges, still
I use it to pay the fare,
but it is not fair: distance still wrecks.
I am far from where they are,
I am near my Mommy and we will never meet.
For like a conveyor belt I lay before you my present: prosthetically decapitated head; well decorated with crystals; synthetic beads; a barbed wire pierced through the iris. Hungry men before me: I examine, I hear the borborygmus, tingling sensation when my plastic bones crack and break the ceilings. A mirror on the wall where mother used to lean her idealism against. Now rest the rusts, webs of a Black Widow, which is not native to this house: as her now demeanor, as her now demeanor, repeating, reeling and reeling as I sit trying to weave, for my soft dreams have now become plagued long before I dared to sleep my heavy. As a belt: I lay my body as they try to fit the loose holes to fit my thinness. My insides as they churn from a deafening machine audibly discernible so my father could hear, yet faint as his late regrets.
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