Skip to main content

Tondo

I crossed this city
as much as I had known my feet would touch the finely made asphalt.
Onto pedestrian lane, a screeching noise was approaching me:
a cab with an immaculacy of white.
On this road constructed by men,
Horns and red lights beaming at me:
I lent my ears a listen for a jiffy,
only to find myself getting lost in it.

Then later, a cacophony of sounds,
The strange petroleum that enveloped my nose,
and my toes pointing at Southwestern direction.

This was the place:
One man sits with his legs crossed;
The other smokes Mighty.
A woman with her trolley,
filtered with eye-tail
others would refer as a beckoning masquerade.

Some strangers quelled their thirsts with Red Bull, 
some quaffed gins.
Smoke from charcoal-cooked barbecues; 
a pile of clothes that smelt like lavender;
the people knelt before this Black-Forest-cake-colored building.
And as soon as I arrived, they stared at me like I was in a parade.
I saw them all with my arms hugging myself from my hood―through my stale gray lenses.

Its evening was a daylight.
With my cream shoes, I walk as I
Look for the house that holds my rest.
I dwell with my broken midnight,
I dwell with my bareness that was smothered by rural smoke.

I stepped on a rock only to stumble my feet;
on this ground
it was not a gravel, but pieces of feathers collected to clutch my exhausted body.
I, then, knew why they were born in this city,
in this far-flung area:

For what is foreign is peace.

Comments

Popular posts from this blog

IHY

 The hatred is piled up, enough to orchestrate a crime  and to hide it in nightmarish metaphors. I have imagined you getting piercing through the fragility of the roof of your mouth, until you beg for forgiveness with your really untamed spirit. Perhaps, flaying would be much better, but crying will be reverberated through every corner of your long shattered room, as your annoyingly pleading voice will still be heard. An unforgivable, hell-bent serpentine, you always are, caressing the man’s ego extracting his exhaustion, and me against a fiend in your presence. Such a soft way to demonstrate hell to you— as it was not even a flinch, or a poke. You deserve heaven appearing reverse, so the gods you have known will forbid your salvation.

24?

"Twenty-four seems scary," I tell myself. Sometimes, I tell jokes, or mostly, it was conveniently told, like how a laugh returns and  introduces itself as villainous friend, but an enemy is the positivity that takes. It is so much scarier when it visits me: a quicksand brought by faux geniuses, a peeking sock-made puppet,  I am a whole drama— a ventriloquist of his own dreams. Delighted by my father's cake: "Happy birthday, son!"  I still know how to stay still  when everybody sings me one.  My Mom gave me bills: Money is an angel.  Indeed, for it lets me fly out of the reality— out of reality that everything  is still made of infinite loops,  as in manmade experiments, and how they can be destroyed by one gentle blow.

Emancipaternal

If I were to talk about a father the arcs of his ears are enough, yet, he would not talk, just like the heavens when you plead, as he is better now: he does not hide in his paternal loop, nor would he ridicule my son I have been hiding. He once knew that what was not written was unprincipled; now, I talk and he pertinaciously listens, unbothered by my pretentious tone. He speaks, but only at night— with his melted heart. I taught him to be more man: now, he would cling to me as if I were  a wife who cooks for her. I used to watch him with Mom's self-made perspective;  however, sometimes, you really have to switch taste—I still love horror,  but not anymore from my father's. After all, he still sees the child in me and the afraid. A father should be called pink and he shall not flinch. Freed from guns and loads, and he shall not be defeated; for he is still, and abandon is not his last name, as I still reweave his first name in my poems. He has been with me:  inherite...